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By Alex Wu April 26, 2025
“It Was Supposed to Be a Comedy!” An Interview with Golden Horse Winner Huang Xi on Daughter’s Daughter by Alex Wu
By Alex Wu April 26, 2025
“It Was Supposed to Be a Comedy!” An Interview with Golden Horse Winner Huang Xi on Daughter’s Daughter by Alex Wu
By Heng Wei Li April 26, 2025
Intimate Encounter A Review by Heng Wei Li
By Heng Wei Li April 23, 2025
SCFF Film Review: She Sat There Like All Ordinary Ones A Review by Heng Wei Li
By Rachel Xia April 21, 2025
SCFF Film Review: BEL AMI Freedom and Love, in Shades Beyond Black and White
By Jarrett Yang April 9, 2025
Film Review #172: KNEECAP Protecting One's Mother Tongue as an Uncompromising Act of Patriotism
By Zheng Hao April 9, 2025
Fraught Lines: Latex Labyrinth with Jeff Yong
By Zheng Hao April 2, 2025
Pierce (2024) Unravelling The Methodical Webs of A Master Manipulator
By Mark Tan March 20, 2025
The Wild Robot (2024) A Sight to Behold 
By Xinyi March 17, 2025
THE EMBODIED IMAGE (Part 2) Interview with Zen Teh and SueKi Yee, the artists behind ‘Phenomenology of Light and Rhythms of the Earth
By Xinyi March 17, 2025
THE EMBODIED IMAGE (Part 1) This Singapore Art Week, artists have explored a multitude of interdisciplinary approaches to filmmaking
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