Film Review #33: TROLL

Donovan • April 10, 2023

 

Film Review #33: TROLL


*This film review may contain plot spoilers, reader discretion is advised.*

A bunch of miners decide to dig into the mountains using explosives, which is basically an alarm clock to a large-sized creature. The creature awakens and goes on an inexplicable rampage through the country, alerting the Norwegian government. Without the satellite technology to find out what it is at this point in time, they turn to a talented paleontologist, Nora Tidemann, to follow the trail and try to decipher what they have to deal with.

Photo credit: Netflix


Nora sees the extent of the creature’s destruction as all evidence points to a hypothesis that she barely even believes: a Troll. Her estranged and eccentric father, Tobias, who has been obsessed with these creatures for years, is the only expert she could turn to. Unwillingly Nora decides to visit her father and to her distaste, Tobias is right. The Troll is marked as a threat by the government and to be eradicated. The Troll doubles as a reflection of Nora and Tobias’ relationship, a mysterious figure who goes on a disastrous yet unjustified journey only to hurt those around them.

Photo credit: Netflix



The Troll’s design is quite a feat by the technical team, allowing emotions to pour through what could have been just a computer-generated character. There are nuances, little details that we see on the Troll that suggest some humanity behind those eyes. Even when the Troll goes berserk, the physics of movement feel so authentic that it does make you worry for the characters who have to face it. The interaction between the computer-generated Troll against the actual locations is seamless, we concentrate on the action on screen without a doubt that something might be amiss.


Photo credit: Netflix 


The cinematography is simply beautiful with the vast landscapes of the countryside. With the use of wider shots to cover a scene, we get to see the characters interacting with the large space as well. This decision to set most of the film in the rural areas makes it seem that the humans are the one out of place, which gives the Troll the home field advantage. It makes them feel smaller in the frame just like the Troll that they are going up against.

Photo credit: Netflix


The subtle nature of this film’s cinematography is another one of its strengths, helping to enhance the believability of the special effects because it does not draw attention towards itself. With reference to the shot above, it is a simple two-shot with the background out of focus. Without warning, what we think is a rocky background becomes the Troll’s face. The impact is much stronger here because we do not know what to expect. There is no reliance on closeups or highly unfocused shots to hide errors, but it stays on wide shots to really set you into the scene. It feels that there is a lot more thought put into planning their shots because of the inclusion of the physics behind a camera or lens within their use of special effects. This attention to detail allows the audience to not focus on the technical side of things, but on the narrative instead. 

Photo credit: Netflix



This film was done in a practical and realistic way through the use of practical effects as well as how the government officials’ reactions play a part in the film. The film’s use of practical effects are highly ambitious, from showing a simple farmhouse being completely obliterated to an actual recreation of a baby troll’s skull. These efforts help heighten the realism of the world the film is set in against the completely computer-generated Troll.

 

Also, the overall depiction of the government was mostly handled in a believable setting. The politicians hold meetings which considered so many collaterals or misendeavours that it becomes such an intense situation to be in. This sort of minimalist approach helped improve the believability if such an event would occur in real life, similar to Shin Godzilla (2016). However, the involvement of the protagonist diverted what could have been an intense political thriller into a more heartfelt cliche ending.

Photo credit: Netflix



Overall, Troll is an enjoyable action flick for the weekend with friends and family. There is such a strong sense of spectacle with its grand set-pieces and production design reeling you into a reality where an actual Troll has walked the earth.


Photo credit: Netflix


——————————————————————————-


This review is published as part of *SCAPE’s Film Critics Lab: A Writing Mentorship Programme, organized by The Filmic Eye with support from Singapore Film Society and Sinema.


About the Author: Donovan Wan studied Film at the School of Art, Design and Media. He spends his free time freelancing on shoots and doing voice overs for commercials. He is an aspiring cinematographer and hopes to continue making short films or perhaps a feature someday.

BLOG

By Chloe Loo May 1, 2025
Film Review #173: Papa (爸爸)
By Alex Wu May 1, 2025
“More than a bookstore, it’s a story.” An Interview with Director HOU Chi-Jan on Poetries From the Bookstores: Season 3 by Alex Wu
By Alex Wu April 26, 2025
“It Was Supposed to Be a Comedy!” An Interview with Golden Horse Winner Huang Xi on Daughter’s Daughter by Alex Wu
By Heng Wei Li April 26, 2025
Intimate Encounter A Review by Heng Wei Li
By Heng Wei Li April 23, 2025
SCFF Film Review: She Sat There Like All Ordinary Ones A Review by Heng Wei Li
By Rachel Xia April 21, 2025
SCFF Film Review: BEL AMI Freedom and Love, in Shades Beyond Black and White
By Jarrett Yang April 9, 2025
Film Review #172: KNEECAP Protecting One's Mother Tongue as an Uncompromising Act of Patriotism
By Zheng Hao April 9, 2025
Fraught Lines: Latex Labyrinth with Jeff Yong
By Zheng Hao April 2, 2025
Pierce (2024) Unravelling The Methodical Webs of A Master Manipulator
By Mark Tan March 20, 2025
The Wild Robot (2024) A Sight to Behold 
More Posts